I liked it back then (1990) — four letters, unique word, no first name, no last name, just a stage name.
The album “A Shug’s Delight” was produced in an apartment in Montgomery County, Maryland over a few days in the winter o’ 1990 with co-producer David Bergstein, a talented blues guitarist and expert audio engineer — in search of perfection outside of a built studio, Dave would unplug the apartment’s refrigerator to reduce ambient and line noise reaching the recording on a Tascam 4-track.
In those days, the rhythm was laid in first and the “band” added track by track, an arduous process, and that’s what David and I managed.